Raymond Briggs: Snowmen, Bogeymen & Milkmen and Ethel & Ernest are available to watch on iPlayer until 9 September 2022. The extraordinary life of Mexican artist Frida Kahlo, in her own words Frida: Fiery, fierce and passionate Ethel e Ernest si conoscono per caso. Lei è una governante, lui un lattaio. Si innamorano e si sposano. Costruiscono la loro famiglia in una casa in cui hanno vissuto insieme per tutta una vita.

But friends knew another side to Briggs – loyal and playful, an inveterate practical joker. Lord once made the mistake of confessing to a dislike of dogs in the presence of Briggs, thereby immediately committing himself to becoming the recipient of all manner of canine-related gifts on subsequent birthdays and Christmases. Like so many of his characters, Briggs’s grumpiness never quite managed to conceal an underlying warmth and kindness. In 2017 he was appointed CBE. El ilustrador Raymond Briggs hace un homenaje gráfico a la relación de sus padres y cuenta la historia del matrimonio desde que se conocen hasta el fallecimiento de ambos. Y, mientras tanto, sucede el siglo XX. Ethel y Ernest es un retrato personal, sí, pero también lo es de una clase social: la de los ingleses de clase trabajadora que experimentaron las penurias de dos guerras mundiales y sus consecuencias. Entre tazas de té nos narran los avances de la sociedad y, con un humor muy británico, ironizan sobre la modernidad, las revoluciones sociales y los inventos que fueron llegando a los hogares para hacer las vidas más fáciles. En esta historia también se habla mucho sobre la paternidad: sobre volcar las ilusiones en los hijos y que después sus sueños sean distintos a lo que se proyectó para ellos, sobre crecer posicionándose en contra de todo lo que se mamó. This was such a short and sweet book and I enjoyed every aspect of it from the storyline, the illustrations and how grateful we are as human beings when parents try and make the life of their children better than what they went through. Their son became a famous illustrator and author and never had to live below poverty level or be a working class. It was sad how they both died and I am glad that Raymond chose to honor them in his book. This is the way he does it, keeping the world away, pretending to be grumpy, and pouring all of that emotion into the work." I loved the art and colors in this one, and was delighted by the clear affection the author has for his parents. It was fun to read about the couple's dynamics, and this is a wonderful tribute to them.The book, first published in 1978, feels as if it was drawn by a child as Briggs drew with coloured pencils. It went on to form the basis for an animated film of the same name that was released in 1982, although there is no reference to Christmas in the book. (Briggs initially saw this addition as "corny and twee" but he admitted " it worked extremely well".)

On the other hand, I loved Ernest - he was a passionate man who liked to rub his wife up the wrong way at times, just to see her reaction. He always knew where he came from and in this respect, he was a completely grounded character who warmed my heart.

This graphic memoir/ biography is about the author's parents from the time they met in the 1920s until their deaths in the 1970s. Ethel worked as a chambermaid, Ernest a milkman, and this is the story of their life together during the large and small political and social changes of their day in Britain. His long-time editor, Julia MacRae, felt overwhelmed with emotion when Briggs first showed her the work. stato un fumetto che ho amato fin dall’inizio. Sono stata catapultata in un’altra vita, un’altra epoca, e percepivo il cambiamento a ogni decennio. Ho provato molte emozioni diverse: mi sono divertita, mi sono affezionata a questa dolce e simpatica coppia, ho avuto paura con loro e per loro, e mi sono sentita terribilmente triste, quasi svuotata, quando tutto è finito. As with all Briggs’s subsequent titles, the book is full of autobiographical elements and references. His own childhood home and Loch Fyne holidays appear regularly and he himself pops up in the follow-up, Father Christmas Goes on Holiday (1975).

Park says: "They only had a clip ready and they showed it as a treat at the London Film Festival. I remember hearing about it and I was so thrilled to see it. For me it was like a dream come true - I was just so hoping it would reflect his original comic book artwork and it did. It was a real groundbreaker." The story takes place in London, England from the 1920s through 1971. We meet Ethel who is a maid who one day she sees a man from the window who is riding a bike. He waves at her and she blushes that a man is paying attention to her. He tells her that his name is Ernest and then asks her out to go watch a movie. After that encounter they become a couple and soon enough they get married. She quits her job and becomes a house wife while Ernest works as a milkman. We enter the 1930s and the times are rough during these period because of high unemployment, recuperating from WWI, and economic depression. Short story about the author's parents. We see a little bit of how they court, buy a home and build their dreams in it, how they form a family. Apparently, the author's parents were already up in age when they met and married and his mom was only able to have one child or run the risk of dying if she were to attempt to have more children. Whilst the story was heart-warming and quite tender in places, I couldn't help but notice the political discrepancies between them. Ethel was a Tory and Ernest was Labour. My problem with this was how Ethel came across: she came from a working class family (she had about 8 other siblings) and yet she looked down on what she referred to as 'commoners'. I understand that she wanted what was best for her son but too many people in this world try and forget their roots, and they're ashamed of them, when they really shouldn't be. I am working-class and I always will be. I just feel that Ethel sometimes came across as someone who thought she was better than others which diminished the affinity I had with her.She says: "I think he makes it real because it's set in domesticity. It's the tiny little details, even when awful things are happening to them. When Jim is bleeding Hilary says, 'Oh no, on your nice shirt'. The mundane details make it very real and very touching. He's wonderful at dialogue."

Lo stile di Raymond Briggs non rientra nei miei preferiti, ma devo dire che più andavo avanti con la storia, più questi disegni tondi e pieni con questi colori pacati mi sembravano adatti, anzi, perfetti, per la storia autobiografica raccontata dall’autore. This book is written by Raymond Briggs and it follows the true story of his parents. It follows their lives throughout WWII and the very politically active world during that time and the changes they make, the sacrifices they make etc. It has various artistic elements to it which are commendable: in other words, I really liked the art style! :-) He argues: "I wonder what would have happened if he hadn't had that loss, the way he had it. If you look at what he was doing before that, it's very different from what came after.Briggs is a very famous British children's author, which I didn't realize until after I finished reading this graphic novel. It didn't surprise me though, because the rich illustrations reminded me of books I'd read as a child. They were fabulous! A tribute to his parents, this is their love story. Archive on 4 examines the archive documents about banning the film from broadcast The War Game Files